Unfortunately for Palmer, 1976 was a time where schmaltzy and breezy arrangements were in high demand and despite his best efforts this makes the album quite dated. As a result, Pressure Drop was not as cohesive as an album due to the desire to be more commercial. Pressure Drop, the follow-up to 1974’s Sneakin’ Sally Through The Alley would find Robert Palmer at an interesting crossroads in his career as despite the great craftsmanship on his previous LP he was still vastly unknown outside of the NYC music scene.
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